Toutes peintures ā l'huile d'Elihu Vedder


Choice ID Image  Painting (From A to Z)       Details 
32041 Memory  Memory   mk77 1870 Oil on canvas 20 5/16x14 3/4in
71467 Prayer for Death in the Desert  Prayer for Death in the Desert   ca. 1867(1867) Oil on canvas 35.2 x 126 cm (13.86 x 49.61 in)
72636 Prayer for Death in the Desert  Prayer for Death in the Desert   Date ca. 1867(1867) Medium Oil on canvas Dimensions 35.2 X 126 cm (13.86 X 49.61 in) cyf
61844 Prayer for Death in the Desert.  Prayer for Death in the Desert.   Oil on Canvas. 14 x 49.5 in. ( 35.5 x 125.75 cm ). Brooklyn Museum of Art, NY. Gift of the American Academy of Arts and Letters.
39096 Soul in Bondage  Soul in Bondage   mk140 1891-92 Oil on canvas 96.1x60.9cm
71659 Soul in Bondage  Soul in Bondage   between 1891(1891) and 1892(1892) Oil on canvas 96.1 x 60.9 cm (37.83 x 23.98 in)
22294 The Cup of Death (mk19)  The Cup of Death (mk19)   1885 Oil on canvas,112.7 x 52.7 cm Virginia Museum of Fine Arts,Richmond(VA)
71300 The Dead Alchemist  The Dead Alchemist   ca. 1868(1868) Oil on panel 36.6 x 51 cm (14.41 x 20.08 in)
70545 The Pleiades  The Pleiades   Oil on canvas; 24 1/8 x 37 5/8 in.
39967 The Questioner of the Sphinx  The Questioner of the Sphinx   mk155 1863 Oil on canvas 91.5x106cm
61877 The Questioner of the Sphinx  The Questioner of the Sphinx   1836. Oil on canvas. 36.25 x 42.25 in. (92 x 107cm). Museum of Fine Ats, Boston.
71620 Wedding Procession  Wedding Procession   between 1872(1872) and 1875(1875) Oil on canvas 46 x 149.4 cm (18.11 x 58.82 in)
72819 Wedding Procession  Wedding Procession   Date between 1872(1872) and 1875(1875) Medium Oil on canvas Dimensions 46 X 149.4 cm (18.11 X 58.82 in) cyf

Elihu Vedder
American Symbolist Painter, 1836-1923 American painter, illustrator, sculptor and writer. He studied under Tompkins Harrison Matteson in Shelbourne, NY, and went to Paris in March 1856. After eight months in the studio of Fran?ois-Edouard Picot, he settled in Florence until the end of 1860. There he learnt drawing from Raffaello Bonaiuti, became interested in the Florentine Renaissance and attended the free Accademia Galli. A more significant artistic inspiration came from the Italian artists at the Caff? Michelangiolo: Telemaco Signorini, Vincenzo Cabianca (1827-1902) and especially Nino Costa (1827-1902). This group sought new and untraditional pictorial solutions for their compositions and plein-air landscapes and were particularly interested in the experiences of Gustave Courbet and the Barbizon painters. They became known as Macchiaioli for their use of splashes (macchia) of light and shadows and for their revolutionary (maquis) attitude to prevailing styles. Among Vedder's most notable Florentine landscapes are Mugnone Torrent near Fiesole (Detroit, MI, Inst. A.) and Le Balze, Volterra (Washington, DC, N. Mus. Amer. A.)



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